Loris Gréaud was born on February 7, 1979, in Eaubonne, France. He is a widely known filmmaker and an architect. He is also a successful conceptual installation artist.
He is found in the media and perceived by worldwide pundits as a standout amongst the most essential and compelling specialists of his age. In any case, since the start of his profession, the artist has declined to enable his life story to be distributed. The majority of the histories accessible are along these lines.
His work is composed into ventures instead of presentations.
To start with, his silence goes all the more immediately when played in reverse, occurred in 2005 at the Plateau/Frac île-de-France (Paris). This was the undertaking that soared him onto the global craftsmanship scene.
In 2008, he turned into the main artist to be allowed full utilization of the Palais de Tokyo in Paris for his task Cellar Door. He created and proceeded with this undertaking at the ICA in London, the Kunsthalle Sankt Gallen (Switzerland), the exhibition hall La Conservera de Murcia (Spain) lastly at the Vienna Kunsthalle (Austria), finishing at Art Basel close by the production of an index by JRP Ringier that diagrammed the whole venture.
Albeit worldwide authorities and historical centers have made some vital acquisitions of his work, Greaud seems just every so often in displays and advertises. He has had just a single twofold presentation in the displays that speak to him. The Unplayed Notes was displayed at the Pace Gallery in New York City and afterward at the Yvon Lambert Gallery in Paris in 2012.
In 2013, he was the main craftsman to be welcome to show together by the Louver and the Pompidou Center in Paris. The twofold show, Loris Gréaud was allowed to general society and occurred in the galleries’ yards, intentionally staying away from the standard presentation spaces of the two foundations.
In 2014, he was named as a Knight in the Order of Arts and Letters (Chevalier des Arts et des Lettres).
In 2015, for his venture The Unplayed Notes Museum, he turned into the primary artist to assume control over the whole space of the Dallas Contemporary (USA).
Since 2010, the artist has infrequently partaken in aggregate shows, liking to focus his assets on creating individual ventures. The craftsman sees the direction of the work through time as a figure in its own right.
His strategy is described by organizing the undertaking’s thought over the display. He believes that the only idea and the venture itself ought to be the representing standards, characterizing specifically the states of appearance, show, appropriation, and even the period of time and cost.
Profitability and proficiency situated in the truth of his ventures are the points of convergence of his training. He additionally gives careful consideration to deliberately eradicating the breaking points between the spaces of fiction and reality.
One of the normal qualities among the different ventures of Loris Greaud is their scale. By creating work of this size with a worldwide vision, he intends to overpower the space and time of the presentation.